Reviews
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Iolanta (Tchaikovsky) | West Australian Opera
“Fortunately Perth soprano and Curtis Institute of Music graduate Elena Perroni is in comfortable territory as Iolanta and her endlessly glowing phrases and petite fragility make a compelling combination”
Rosalind Appleby
Seesaw Magazine
April 12, 2022
Ein Deutsches Requiem (Brahms) | West Australian Symphony Orchestra
“Perroni rose, sonorous strings heralding her exquisite soprano drifting as on a breeze across the orchestra; singing of sorrow with a sense of awe that filled the hall....... sung with such calm, clear quality she seemed to embody the very human, heartfelt aspirations of the text, finding echoes in the woodwind chorus to close.”
David Cushworth
The West Australian
June 26, 2021
La Traviata (Violetta) | West Australian Opera
“Elena Perroni made her role debut as Violetta manipulating her seductive velvet soprano with impressive technique. “
Rosalind Appleby
Seesaw Magazine
February 4, 2019
“Despite the artifice and grand scale of opera, Perroni kept the raw emotion ever in focus.... On stage, Violetta – a powerful and impassioned Elena Perroni… she sings, and the heartache is tangible…Perroni kept the raw emotion ever in focus.”
David Cushworth
The West Australian
February 3, 2019
Belshazzar - Handel | Adelaide Philharmonia Chorus
“Perroni — whose doomed Mimi you couldn’t help compare to one of Modigliani’s melancholy women ... Sometimes you even felt like you were watching a piece of Italian neo-realist cinema.... quite magnificent. “
“As Mimi, she did not disappoint, her soprano so full and flexible, yet so capable of expressing fragility and mortality without incongruity.”
William Yeoman
The West Australian
February 5, 2018
“Elena Perroni, in her first Australian professional engagement, sang with a focused pearly soprano that had fragility but bloomed wonderfully when required.”
Rosalind Appleby
Seesaw Magazine
February 4, 2018
Yardbird (Charlie Parker) | English National Opera
“Perroni makes your spine tingle in that wordless lament ... The late scene in the mental hospital came as a real relief, with its gentle, reflective setting and the quiet keening of Elena Perroni.“
Song To the Moon (Rusulka) | Philadelphia Orchestra
“You didn't need to understand the text about the "silvery moon in the velvet night" in Dvorak's "Song to the Moon" from Rusalka: It was all right there in the silvery orchestrations, and in the velvet soprano voice of Elena Perroni”
The Philadelphia Enquiry
2017
Anne Trulove (The Rake’s Progress - Stravinsky) | Curtis Institute of Music
Anne Trulove (The Rake’s Progress - Stravinsky) | Curtis Institute of Music
“Soprano Elena Perroni was particularly strong as Anne Trulove, with all of that character's vulnerabilities and underlying strength playing out in subtle ways vocally.”
Peter Dobrin
The Philadelphia Inquirer
May 12, 2015
“A true ensemble of singer-actors starred Elena Perroni, smooth-voiced and heartrending as Anne Trulove”
Broad Street Review
May, 2015